Most movies only require one viewing, but the best filmmakers tell rich, intricate stories and fill every frame with detail and hide subtle foreshadows in the opening scenes, so audiences must watch their masterpieces. work several times to capture everything and fully understand the themes.
Some films are so meticulously crafted that they stand up to countless repeat viewings. Audiences still understand things they missed the first time around when they revisit acclaimed dramas like The Godfather Where There will be blood.
ten Forrest Gump (1994)
Winning Tom Hanks his second Oscar in a row, that of Robert Zemeckis Forrest Gump is a healthy, life-affirming epic about the sweetest guy in the world leading a simple existence and unwittingly touching people’s lives along the way.
The film plays out as a sort of pop culture history lesson. Throughout history, Forrest comes across famous 20th-century figures like John Lennon and a few American presidents, and he has a direct impact on a handful of historical events like the Vietnam War and the Watergate scandal. It’s impossible to collect all of those vintage Easter eggs on the first try.
9 There Will Be Blood (2007)
Daniel Day-Lewis gave arguably the best performance of his career in Paul Thomas Anderson There will be blood, a quintessentially American epic about an oil tycoon gradually losing his humanity as he increases his wealth.
The Daniel Plainview saga is richly intriguing and jam-packed with symbolism to be grasped the second or third time around. For example, Anderson uses a thick, gooey black oil to visualize the corruption of Daniel’s soul.
8 Arrival (2016)
that of Denis Villeneuve Arrival is a very different genre of UFO film. Instead of coming to Earth to destroy all humans, aliens Arrival want to communicate with us. Amy Adams plays a linguistics expert seemingly grieving the loss of her young daughter who was brought in to translate the marks of the aliens.
From a tonal standpoint, Villeneuve’s film is a dark, refreshing cerebral drama that takes place against a backdrop of high concept. What makes it truly remarkable is its jaw-dropping and heartbreaking final twist. This film is actually more effective when the viewer already knows the twist, as it adds emotional context to any dry linguistic analysis.
7 The Godfather (1972)
Once the highest grossing film ever, Francis Ford Coppola’s gangster epic The Godfather stars Marlon Brando as the aging Mafia boss and Al Pacino as the war veteran son with legitimate perspectives he wants to keep out of the gruesome family business.
Coppola filled this film with symbolism (like using oranges to represent death), and he packed detail into each image. A crowd hit framed with the Statue of Liberty in the distance provides a perfect visual metaphor for the dark side of the American Dream.
6 The Prestige (2006)
With Christian Bale and Hugh Jackman as two rival magicians trying to perform the same teleportation trick, Prestige is arguably Christopher Nolan’s most underrated film.
Nolan structured the movie like a magic trick – with an engagement in the first act, a trick in the second, and a payoff in the third – and spoiled all of the bigger twists in subtle ways throughout the opening scenes. As a result, this confusing thriller has to be watched a few times before it can be fully understood.
5 Childhood (2014)
Richard Linklater covered his protagonist’s entire childhood in 2014’s Coming-of-Age Jewel Childhood, and instead of picking a few actors to play him at different ages, he picked an actor and waited until he got old.
This style of real-time shooting has resulted in a totally unique film that can be enjoyed over and over again without getting old. Linklater designed the script during ChildhoodThe 12-year-old production and final piece play out like a series of vignettes or snapshots from the lives of real people that can be revisited a bunch of times.
4 The Redemption of Shawshank (1994)
Although it bombed the box office when it was first released, Frank Darabont’s prison drama Shawshank’s Redemption has since been ranked as the greatest movie ever made by IMDb users. Tim Robbins and Morgan Freeman play the role of two inmates who dream of getting away from it all.
Darabont tells an epic story spanning a multi-year prison sentence through the prism of an intimate friendship. There are a lot of subplots and supporting characters to add to the revengeability of the film. Plus, there’s the foreshadowing of seeing repeat viewings, like when Freeman tells Robbins that escaping from prison is a “crappy dream.” This nod to the audience only makes sense to returning viewers who know Robbins will eventually escape through a literal shit pipe.
3 No Country for the Old People (2007)
Adaptation by the Coen brothers of Cormac McCarthy There is no country for old people has been hailed as one of the greatest thrillers ever made. With both neo-noir and neo-western motifs, the Coens breathed visceral life into the ruthless pursuit of hitman Anton Chigurh with a briefcase full of money and the hunter who stole it.
This film is notable for its dark ending providing no closure. The Coens create an unbearably tense atmosphere from the moment Llewellyn takes the money and seals his dark fate. Like most of the brothers’ movies, There is no country for old people is open to interpretation and cannot be fully understood, so it withstands endless revisits.
2 Rocky (1976)
The title character in Rocky, an amateur boxer who is challenged in a whimsical fight with a world-famous champion, is one of cinema’s quintessential underdogs. Sylvester Stallone wrote the script to take on a lead role when he was a struggling actor, so he was an underdog himself when he sat down to tell Rocky’s story.
Stallone’s Oscar-nominated script has a longer-than-usual opening act, as it takes the time to complete Rocky as a character before showcasing his championship fight with Apollo Creed. Rocky is billed as a boxing movie, but it really is a love story. By focusing on the character and his emotional journey, Stallone made his sports film classic endlessly revisable.
1 Goodfellas (1990)
Martin Scorsese’s ongoing cinematic treatise on the dangers of the Mafia lifestyle reached its peak in the 1990s Goodfellas. Ray Liotta plays the role of an Italian-American kid who always dreamed of being a gangster, got over his head and ended up denouncing all his friends to avoid jail.
According to IndieWire, Scorsese made the film with the intention of stretching the rhythm and energy of the first few minutes of Jules and Jim feature film. Goodfellas has as much story material as an HBO miniseries and it hits like a fastball. It needs 1000 views to capture it all.
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