Taika Waititi Elevates Bro Movie With Thor: Love and Thunder

The trailer for Thor: Love and Thunder promises lots of laughs and action – and that’s about it. The trailer reveals relatively little about Chris Hemsworth’s next piece at the helm beyond its central setup: Marvel’s god of thunder is looking to retire, plug in, and maybe surf some rock. waves. On the other side of the coin are the women of the film: Jane Foster as Mighty Thor and Valkyrie as the bored-looking head of state.

Naturally, this all seems to point to a simple action movie with a straight white man at its center and a cast of supporting women to woo. However, this is not what Thor: Love and Thunder is about. The film’s director, Taika Waititi, established shortly after Thor: Ragnarok, his previous Marvel film, that he would explore a same-sex relationship with Valkyrie. The synopsis for the film promises Gorr the God-Butcher, one of Marvel’s most complex villains. Even the inclusion of Jane Foster hints at a struggle between the mortal and the immortal. This is all pretty common when you consider that Waititi is directing the film. Given Waititi’s film history, love and thunderThe too simple premise will only be a pretext for the depth it will present.


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Taika Waititi’s TV and Film History Shows Depth in Shovels


Waititi’s most recent viral project, Our flag means death, began as a silly pirate comedy aimed at trapping casual viewers with workplace pirate comedy. At the end of the first season, Our flag sported a devoted fanbase due to its subtle foreshadowing and storytelling, incredible acting, unabashed gay romances, and, of course, comedy. An easy, silly comedy became a story about finding self and love, and grieving over loss.

What we do in the shadowsThe TV series also focuses on a same-sex romance, and the original film was a mockumentary that told a story of accepting outgroups and being kind to others. This is where Waititi’s work is most effective: he uses comedy, and even raunchy comedy, to hide the true message of the project. By lulling audiences into the sense that the film is simple, Waititi makes the central premise of any given project more palatable and more likely to be heard and welcomed by viewers.

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How Waititi Draws From Comedy History Into A Solid Strategy


thor 4 trailer jane adoptive header

This strategy is not new. Comic relief was first introduced in Jacobean plays, such as Shakespeare’s, in order to make the lofty philosophies discussed more palatable to the general populace, which was generally not formally educated. Oscar Wilde’s comedies were among the first to define the term as “a funny thing” rather than “a story with a happy ending”, and he used them to entertain the masses, yes – but also to convey the joys of life. gay life and living his life for his own joy.

Waititi uses a series of ancient strategies to uniquely convey complex messages through comedy. On the surface, three modern vampires, a god of thunder, and a workplace pirate comedy are mere laughs and action on the cheap. But Waititi takes these traditionally masculine concepts and twists them to achieve a rhetorical goal. If one is looking for a goofy, incendiary popcorn movie in Thor: Love and Thunder, they will undoubtedly find it. However, Waititi’s story indicates that action and jokes aren’t all fans are looking for when the Goddess of Thunder hits the screens.

To see what lies beneath its bro-ey facade, Thor: Love and Thunder hits theaters on July 8.


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